I've been brought in as the Gaffer* for a short film based on the DC character Static Shock. We're still in pre-production and look to be shooting in April. A few weeks ago the director and I started looking into the possibility of shooting this project in a cinemascope, 2.35:1, aspect ratio.
Most HD cameras record video in a 16:9 aspect ratio (as are most new TVs and monitors) such as this one:
An anamorphic lens uses optics to squeeze a wider-angle image onto a piece of film or a digital sensor. Once you have the image captured you can either stretch it in your editing software (like I did) or you can project it using another anamorphic lens - thus stretching it back out optically. Here is a test with the directors new Panasonic AG-LA7200 anamorphic lens:
As you can see we now get the wider 2.35:1 aspect ratio without losing any vertical resolution or cropping. We also get those mega-sweet anamorphic lens flares that shoot horizontally across the frame.
"But wait!" You say. "There are awesome horizontal lens flares in the "Pilot Light" video as well!"
Yes, but those were added in by our visual effects supervisor and took 48 hours of hand-tracking for that 3 minute video. Now we can just do them in camera!
*I'm also talking to the director about DP'ing - we'll see what happens.
Also: hey r/photography - mcarneybsa